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November 21, 2006
Art imitates life
I don't have a TV, but a friend alerts me to an episode of CSI which seems to have been inspired by the Lebanon Fauxtography scandal.
Twin sisters are murdered a few hours apart. Both adopted by different families, they had never met. One was a stay-at-home mom, the other a newspaper editor.
WARNING! Spoiler ahead!
Wendy discovers that EPITHELIALS on the leash from Jill's bedroom don't match Gus'. Someone else was in the mix. That someone might be Jake Lenoir, a photographer from Jill's paper. The flash drive found in Jill's office held Jake's award-winning photos from the Iraq war. They're clearly composites, and not the real thing. Jill must have known the truth.Brass brings Lenoir in and he explains that he put the photographs together to tell the real story of the war. "I used a lie to tell the truth." Brass doesn't really care--he wants to know about his relationship with Jill. They had a romantic history, but it didn't last, according to Jake.
At Lenoir's apartment, Warrick is unable to find Jill's laptop, leaving them only with circumstantial evidence linking him to Jill. That is, until they find a pad of paper with Jill's rough draft of an apology to the public for printing Jake's fake photo. Looks like Jake ripped a piece of it off to serve as her suicide note. Also, his dryer vents out to a thigh-high stocking that matches the one found in Amanda's purse, and inside the dryer is a shirt still stained with faded blood drops. Greg is pretty sure he knows whose blood it is.
Apparently Jake picked off the wrong twin at the dry cleaner's, and went right to Jill's to make off with her laptop. He couldn't believe it when Jill walked into her house, and he set up her suicide on the fly. But this fake wasn't good enough either. Brass books him for the double murder.
You can watch the episode here. (See? I don't need a TV.)
UPDATE: I'm watching the episode, and the photojournalist is trying to justify his photoshopping to the cop. He has an Australian accent and he looks like Michael Ware. After investigating this case I claim that one of the screenwriters reads the blogs.
Judith | 11/21/06 at 07:46 AM | Categories: Competing narratives
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Comments
The reason why the journalist faked the photo captured my attention. I saw that episode and recall something along this line of thinking, his reason was because the blood-thirsty US soldiers did not have enough carnage to show for their efforts so the photo-journalist created one for them.
It was odd to hear CBS entertainment machine imply that Iraq was not the bloodshed environment that the CBS news machine had created.
susan | November 21, 2006 09:16 AM
My thoughts on the episode match yours: someone's been reading the blogs, and got in a little bit of a dig at the press. The photog's excuse that the composite "shows the truth" despite being fake was perfectly done.
Robert Crawford | November 21, 2006 09:58 AM
The photog's excuse that the composite "shows the truth" despite being fake was perfectly done.
But what made it really perfect was making him a scruffy Aussie. :-)
Susan, his reason was that most of the time nothing happens, and you can't keep taking photos of nothing. So he put this scene together and the soldiers say, "Yeah, that's our war." Which is close to what you remembered.
But it's a bullshit reason because there is always a lot of picturesque violence to shoot, the temptation is to make it look worse for one side or the other. I think it would have been more realistic if he had shot some carnage and then made it look like the soldiers committed a war crime because "the larger truth" is that "our presence there is a war crime." That would be the Dan Rather philosophy of journalism and similar to the kind of shit that Michael Ware was making up during his drunken rant.
Judith | November 21, 2006 10:42 AM
The scary thing about this phenomenon is that photos are no longer worth the proverbial '1000 words'. It might be worth a 10-word sentence, at best.
These days, a photo is more easily manipulated than the CG we see in hollywood FX masterpieces like King Kong, et al. To stage a murder, a political coup, an assassination (see "Death of a President") is so easy to do that the photograph's power to convince and sway a people is quickly diminishing.
(an) Andrew from California | November 21, 2006 11:50 AM
Hi. I wrote about this episode too. My husband was in Iraq in 2004-2005, and he says that this photographer's description of life in Iraq is pretty accurate. It is long periods of nothing punctuated by intense moments that don't always lend themselves to a good photo. It's just surprising to hear this admitted on TV.
Sarah | November 22, 2006 08:21 AM
You are all right that a picture isn't the proof positive it once was, but the balance to fauxtography is the blogosphere with thousands, tens of thousands, millions of savvy people who can spot fakes and report the truth.
erp
| November 22, 2006 09:43 AM












